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Nature Spirits Devas

Spirituality Druidry



An Earth based faith, Druidry melded the love of sea, sky and land with ritual, story telling, poetry, music and the visual arts. The spiritual lineage of Celtic Druidry spanned thousands of years. For the Celts, the Earth and the Realm of Nature were alive with sacredness.

In Druidry the elementals of fire, earth, air and water who were all imbued with innate divinity and purposeful beingness. To the Druidic Celts the veils between the realms, worlds and dimensions were gossamer thin, dancing with the winds of cyclical change and the poetic rhythms of divinity.

The Celts were foremost pilgrim travellers embarked on a spiritual journey living a physical existence which they perceived as one of many interconnected lifetimes in an eternal sea of ever evolving sacred spiraling energy. Knotwork and the Endless Knot were symbolic of eternal life and the flowing continuity of the soul as the Celts journeyed a path without a beginning or an ending.

Similarly, trifold spiraling swirling patterns and the Druidic Celtic Calendar Festivals were used to artistically express the inspirational beauty and harmony of the Natural World; as well as, their spiritual connectivity with the Sacred Mysteries of the Tree of Life.

Fairies Looking through a Gothic Arch, Painting by John Anster Fitzgerald, Public Domain Image 474w 304h

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The boundaries between this world and the Otherworld for the Druidic Celts were adaptable, fluidic, and malleable. In the painting above gossamer winged Fairies attired in finery and carrying celebratory garlands were looking through a Gothic arch window at the Celtic festivities inside a home.

Everyone had the ability or aptitude to cross over the thresholds between lands and realms and to travel back and forth between them, especially during the Festivals of Beltaine and Samhain when the boundaries betwixt and between worlds disappeared for awhile.

Druidry has eight seasonal festivals that were celebrated by the Celts. They were the solstices and equinoxes passages which commemorated the turning of the four seasons; as well as, the fire festivals inbetween these passages that celebrated the changes that ensued.

Modern reconstructionist versions of the Druidic Celtic Year divided it into two portals. They were the dark half which began with Samhain and the light half which began with Beltane. Next Back


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