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Many of the ancient Mayan star teacher goddesses and gods including Ahkinxoc, Colelcab, Dzacab, Hunabku, Itzamcab, Ixchel, and Yumcaax have all come back to the Earth to serve the peoples of the planet as Hierarchs of the Twelve Universal Rays. For the most part, they were former Mayan, Pleiadian benefactor teachers and mentors of Lemurian Shaman Celtic Mound Builder lineage and background who have recently returned from the Pleiades to once again assist the Maya and those who make pilgrimages to the Mesoamerican areas for succor or feel akin to the Mayans in their evolutionary life spirals. They will respond to sincere calls for assistance and guidance from those who were under their caring tutelage in the past. For more information about the Lemurians please see the Inspirational Insights, Lemuria and the Lemurians and Orion and Pleiadian Connections to Lemuria. Ahkinxoc (Ah Kin Xoc, Ah Kin, Xocbiltun, Pizlimtex, Kumara) was the Mayan Mesoamerican magnificent "singer", poet, and musician god who augmented and enhanced Mayan poetry, which is mostly chanted or sung. Considered by many Maya as the "Avatara" of the solar diety Ah Kin Xoc, he often shapeshifted to appear to others as a hummingbird. For a narrative description of his Sacred Site focal point please see the Hierarchs of Twelve Universal Rays article about Ahkinxoc.
Colelcab (Colel Cab, Ix
Zacal Nok) was a Mayan Mesoamerican creator, earth mother goddess. She invented weaving, and
helped to regulate the cycles and seasons by painting her earthy tapestries of
verdant foliage, plants and flowers with her paintbrush. For a narrative description
of her Sacred Site focal point please see the Hierarchs of Twelve Universal Rays
article about
Colelcab.
Dzacab (Ah Uincir Dzacab, Ah Uincir Kopot, Kumara) was a classical Mesoamerican and Mayan healing god, especially revered by the Chorti of eastern Guatemala. Dzacab was a master herbalist and preparer of remedies who was concerned about the health of all aspects of inter-relationships, including sexual identities and functions. Dzacab was portrayed with balanced features that showed the harmonic resonance possible between masculine and feminine personalities. For a narrative description of his Sacred Site focal point please see the Hierarchs of Twelve Universal Rays article about Dzacab. Hunabku (Hunab Ku, Ometeotl, Kumara) was a classical Mesoamerican and Mayan supreme world creator god of the Four Maya Worlds, especially revered by the Yucatec. Hunabku was the Maya Deity Chieftain, god of the gods, and head of the Mayan Pantheon who helped the Maya and other Mesoamericans to rebuild after several massive cultural destructions of their homes and hearths. For a narrative description of his Sacred Site focal point please see the Hierarchs of Twelve Universal Rays article about Hunabku. Itzamcab (Itzam Cab, Kumara) was a Mayan Mesoamerican Chthonic earth god of creation, fire, knowledge, healing, hearthstones, and vegetation. Hearthstones are called "Head of Cab" in his honor, and he has also been depicted with corn leaves sprouting from his head. He showed the Maya how to use the calendrical system and to be shamanic storytellers using pictorial glyphic script. For a narrative description of his Sacred Site focal point please see the Hierarchs of Twelve Universal Rays article about Itzamcab. Ixchel (Ix Chel, Ix Chebel Yax) was a Mayan Mesoamerican moon goddess of childbirth, medicine, and weaving. Ixchel brought weaving to the Maya and carried her loom sticks across the sky to protect herself and others from the jaguars. As the Yucatec and Quiche Indian Fertility goddess of Healing Rainbows and Guardian against disease, there were shrines in her honor in Cozumel and small figurines of her were placed beside women in labor. For a narrative description of her Sacred Site focal point please see the Hierarchs of Twelve Universal Rays article about Ixchel.
Yumcaax (Yum Caax, Yum Kaax,
Kumara) was a classical Mesoamerican and Mayan vegetation god revered as an
agricultural and maize "Lord of the Woods" who was concerned about all aspects
of growing crops, harvesting, and husbandry. Yumcaax was depicted as a
beautiful youth who embodied the perfect blend of masculine and feminine
qualities. He wore an ear of corn in his headdress. For a narrative description
of his Sacred Site focal point please see the Hierarchs of Twelve Universal Rays
article about
Yumcaax.
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