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Hierarch Cuchulain Ahkinxoc Kumara
Ah Kin Xoc, Ah Kin, Xocbiltun, Pizlimtex



God Cuchulain Ahkinxoc Kumara (Cuchulain, Ahkinxoc, Ah Kin Xoc, Ah Kin, Xocbiltun, Pizlimtex, Cuchael) serves as an Hierarch of the Third Ray of Harmonics Restoration. The Sacred Site focal point of Hierarch Cuchulain Ahkinxoc Kumara is Chichén Itzá, Yucatán, Mexico

Cuchulain Ahkinxoc Kumara was formerly Cuchulain, a Celtic heroic god of extraordinary determination, perseverance, resolve, stamina, and steadfastness who epitomized the spiritual warrior.

The ancient Heroic Tales of Cuchulain were revitalized in the collective psyche and Celtic Consciousness by the bards and then immortalized further in written stories.

A stalwart "Red Branch" warrior with great stamina, his immense strength, and tenacious perseverance helped him to overcome enemies and also made him impervious to the Macha crone curse of death and destruction.

Spiritually connected with his planetary mentorship, Cuchulain was also a "master of all arts", as well as, a gifted Celtic Shaman able to ward off the binding spells and negative curse magick of others.

As the Mayan Mesoamerican Ahkinxoc (Ah Kin Xoc, Ah Kin, Xocbiltun, Pizlimtex), he was a magnificent "singer", poet, and musician god who augmented and enhanced Mayan poetry, which is mostly chanted or sung.

Considered by many Maya as the "Avatara" of the solar diety Ah Kin Xoc, he often shapeshifted to appear to others as a hummingbird.

Of Pleiadian Lemurian Lineage, Hierarch Cuchulain Ahkinxoc was once one of the Maya Pleiadian benefactor teachers and mentors of Celtic Mound Builder Heritage, and has recently returned from the Pleiades to assist the Mayans and the peoples of this planet once again in their evolutionary life spirals.

He is also one of the nine Pleiadian brothers known as the Kumaras, who have been shepherding the Earth over the millenium. They have also been called the Kurmavatars or "Tortoise Avatars".

The Pleiadian shamanic stewardship, leadership mantle for the Earth is now being shared equally by the nine Pleiadian Kurmavatars or "Tortoise Avatars" which include Hierarch Ashtara Goibniu Kumara, Hierarch Cuchulain Ahkinxoc Kumara, Hierarch Diancecht Dzacab Kumara, Hierarch Figol Itzamcab Kumara, Hierarch Gautama Buddha Kumara, Hierarch Hunab Ku Kumara, Hierarch Maitreya Shangdi Kumara, Hierarch Nuada Yumcaax Kumara, and Hierarch Sanada Skanda Kumara.


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Depiction of God Cuchulain as a Boy
Drawing by Stephen Reid (1912)


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The Sacred Site focal point of Hierarch Cuchulain Ahkinxoc Kumara and the Third Ray of Harmonics Restoration is Chichén Itzá, which was located in the Yucatan in southeastern Mesoamerica.

Hierarch Cuchulain Ahkinxoc Kumara shares this Sacred Site focal point with his soulmate wife, Hierarch Emer Colelcab, also a Hierarch of the Third Ray.

The name of the city means, "In the Mouth at the Itzáe's Well"; and, ample water resources from various caves and Cenotes enabled it to become a political and religious power center that reached its pinnacle between 800-1,200 ACE.

After waves of invasions and different tribes of inhabitants, Chichén Itzá was inexplicably, permanently abandoned in 1,400 ACE.

The abandonment of Chichén Itzá correlated to the Maya Creation Legend of the Third Maya World about the third time that the Mayan god Hunab Ku helped to rebuild the Mayan World after the third explosive and confiscatory catastrophe poured from the mouth of the sky serpent. The Third Maya World also referred to the time when an obscure extraterrestrial race of "offenders" from the environs of Sirius, who were called the Dzolob by the Maya, usurped and confiscated the inhabitations and Lemurian Celtic style Sacred Mounds of the Maya.

These were the "Dark Times" when the Maya were forced to built the stone pyramids over their Sacred Mounds and then coerced into doing sacrificial rituals under the ill advised, imprudent, and injudicious instructions of their usurper oppressors who were negatively thought adjusted by fallen angels from the fourth dimension and demons who sometimes temporarily possessed the bodies of both the Maya and the Dzolob to further their dark designs and evil agendas against humanity and all things bright and beautiful.

A short time after god Hunab Ku was informed of what had happened to the Maya Sacred Mounds and the bloody sacrificial rituals taking place there, he returned from the Pleiades for a brief period to cleanse and scour the landscape of the Maya. At that time, the Dzolob Sirians retreated underground to live in cozy, elaborately constructed, well appointed, and comfortably furnished caves.

The Maya relocated elsewhere in Mesoamerica and the Yucatan with the help of Hunab Ku. They moved into areas in the countryside where the ethers were still pristine and unsullied. He also gave them specific spiritual guidelines to live their daily lives by until the Pleiadians were once again able to return to the Earth and act as benefactors and mentors to them.

This was the timeframe when all the cities were mysteriously abandoned by the Maya. It also corresponds to the Third World that Hunab Ku created for the Maya where they could live by themselves. It was meant to be the final or last world that the Maya would inhabit before the coming of the Fourth Flood and the return of god Hunab Ku to help create the Fourth World. To learn more about the Four Maya Worlds please see the Maya Maya Ancient Civilization article, Creation Legends and Four Maya Worlds.

The Yucatan area surrounding Chichén Itzá was dotted with many Sacred Mounds. These Sacred Mounds were enveloped with the soothing energies of green grass, the color of the Heart Chakra (the As Above in Heaven So Below on Earth rainbow bridge which connects the upper chakras with the lower chakras), the gentle sloping of the Sacred Mound was reminiscent of the fullness of a woman's breast.

The Sacred Mounds were Divine Feminine Grail Cup Chambers that were part of the Sacred Shamanic Mysteries of the ancient Lemurians. The Shamanic Lemurians were the original planetary Sacred Mound Builders. The Sacred Mounds were never meant to be used as burial chambers. Instead, they were spiritual gestation and higher vibrational frequency template, light body birthing chambers that were meant to facilitate what has been called by others, like the ever hopeful Sirians, "The Ascension Merkaba Vehicle Process". The Lemurian Shamans would call it something like the "Divine Immortality Integration Process", in their common tongue.

The motto of the Lemurians would have been something like "No Biochemical Shell Bodies Left Behind." To them the goal was for the physical body to become the Merkaba vehicle. Following the example of the Christ, the Divine Immortality Integration Process was meant to restore wholeness to the individual divine light matrix utilizing Natural World elements like earth, stone, grass, and water, as well as, the hallowed sonics of chants and songs in conjunction with other ritual accoutrements and practices.

Sadly, evil times befell the peoples who the Sacred Mound Builders were mentoring after the Lemurian Shamans relocated to the Pleiades, especially those in Mesoamerican and Peru. In those locales, the tops of the Sacred Mounds were scalped off, the ground leveled, and oppressive pyramidal structures placed upon the hallowed landscape wound that festered from repeated infections caused by discordant chants, hexes, curses, and similarly abusive spells, as well as, bloodshed from animal and human sacrifices. To learn more this please see Maya Mayan Ancient Civilization and Peru Peruvian Ancient Civilization... Hierarchs Goddesses Gods of Twelve Universal Rays


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Hierarchs of Twelve Universal Rays Iris 35w 35hHierarchs of Twelve Universal Rays Copyright © 2002-2008 Maureen Grace Burns, Blessings Cornucopia. All Rights Reserved. Public Domain Image Depiction of God Cuchulain as a Boy Drawing by Stephen Reid (1912) from [http://en.wikipedia.org/wiki/Image:Cuchulainn_Stephen_Reid.jpg]. Accessed January 8, 2007.

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Copyright © 2002-2008 Maureen Grace Burns, Blessings Cornucopia. All Rights Reserved.